My son Trey, short for Trajectory, lives in a parallel universe. With my whiteness stirred in, he is a lighter-skinned miniature version of his father, right down to the little glasses that he’s needed since he started reading at the age of two. He stands in the driveway waiting for the school bus, swishing his skirts back and forth, and my heart aches because I know the teasing he will endure. He is a queen for the Living History Museum whose merits he and his father talked excitedly about while I made the costume, torn between pride that my son’s favorite person is a woman and the compulsion to pressure him to pick a man. This morning as I sip my tea in my present universe, tears spring unbidden at this memory. Here, my history-loving husband and I chose not to have Trey or any other children. Oh, how I miss my sweet boy.
Tag Archives: poem
Killer Love Song
TRIGGER WARNING: This poem contains graphic metaphoric language and imagery related to physical harm, violence, and bodily injury, presented in a stylized and symbolic manner. While not literal, the content may be disturbing for some readers, particularly those sensitive to themes of abuse or violence in relationships. Reader discretion is advised.
Start with the pinky, snap the tip
Then work your way up the hand to the wrist
To break the arm, you’ll need a tight grip.
When love takes hold and makes the heart skip
You might hesitate, but I must insist
Start with the pinky, snap the tip
The signal an upward curve of the lip
Ignore all attempts if one tries to resist
To break the arm, you’ll need a tight grip.
Dresses are easy, they merely unzip
Buttons are harder; they require a twist
Start with the pinky, snap the tip
If all else fails, just give it a rip
No need to worry, no one will be missed
To break the arm, you’ll need a tight grip.
The best way to tackle a relationship
is to find the one who’s never been kissed
Start with the pinky, snap the tip
To break the arm, you’ll need a tight grip.








You Ever Wonder?
You ever wonder how we keep from flying off this giant muffin when it’s going over 60,000 miles an hour? Like, a spaceship made of dirt and water, it’s outer skin nothing more than a layer of air holding all us guts in while screaming through space at 60,000 miles an hour. And any second another chunk of rock could slam into our bowling ball hot air balloon and we could shoot off like fireworks spraying out of a soda bottle at 60,000 miles an hour. Unless we’re more like a frisbee ‘cause we’re flat earthers and this giant paper plate planet is flinging and boomeranging around the sun at 60,000 miles an hour. Maybe the whole way to survive in this solar system is to keep moving as fast as you can, ‘cause if we stop, we die, and nobody wants to die, well, some people want to die, but not like that in a crash going 60,000 miles an hour. And think about it, these doctors are trying to slow us down with all these meds, making us walk around like zombies eating our own brains, drooling in our sleep, and slurring our speech ‘cause that’s supposedly better somehow, even though they should be smart enough to know that we have to keep the wheel spinning and spinning and spinning and spinning at least 60,000 miles an hour, or we’ll screech to a halt and scream forever like that Munch painting where the squiggledy guy is slapping both hands on his face like the Home Alone kid all because Krakatoa blew and burned and bled.
Wheelchair 2
sturdy frame easily holds
both grandbabies at once
joints bare from wear, but
wheels roll smoothly, so
dishes can be washed, floors
swept, homelife lived from
the position of a butt-hammock
despite unbearable pain
Wheelchair 1
9 plastic spokes radiate from the center of
23-inch diameter fixed-position wheels
solid Urethane black tires worn to the rim
handrims, breaks, bearings, black steel, bolts
black vinyl handle grips with finger indentations
7-inch rotating wheels, axles, nuts, forks
padded vinyl arm rests, spacers, screws
blue vinyl seat, pillow to cushion the ride
How to Eat a Pear?
(Poem 327 for 2024 – I am writing a poem a day)



AI Generated image I prompted on Gencraft.com https://gencraft.ai/p/fBHo2n https://gencraft.ai/p/Cjp59f https://gencraft.ai/p/nJgsxG
AI struggled with my prompt to generate an image of a woman eating a pear.
If only I could
figure out how
to get this pear
into my mouth.
The concept is beyond me.
Use of hand, teeth, tongue.
I may never get it down.
@Home Studio – 327th poem of the year
Runner ups for the Eating a Pear photos to accompany my poem:












Rock Climbing?
(Poem 324 for 2024 – I am writing a poem a day)

AI is unsure why a woman
would attempt to climb
the side of a cliff,
but best efforts to produce
an image result in
laughable camera poses
much more leaning back
toward the chasm than anyone
would be comfortable with
hands in the air all willy-nilly
instead of clinging to protrusions
like her life depends on it
just hanging out in the air
without a care in the world
maybe she’ll get to the top
maybe not, who knows?
@Home Studio – 324th poem of the year
Runner ups for the Rock Climbing photos to accompany my poem:








AI Wants Purple Hair
(Poem 310 for 2024 – I am writing a poem a day)

When given the opportunity
to choose a preference
for physical appearance,
AI depicted quite a pleasant
character who anyone would
love to meet in person,
and I must say, the purple
mustache is quite a nice touch.
@Home Studio – 310th poem of the year
Runner ups for the AI wish photos to accompany my poem:



Swamp Souls
Trigger Warning: Sensitive content concerning human trafficking and death.
(Poem 303 for 2024 – I am writing a poem a day)

Back when people
owned people in Georgia,
Samuel ran.
Tore up bare feet
pounded the ground
that thick, steamy night
while the moon hung
heavy like a big ol’ eye
watchin’ the swamp.
The ol’ bone creak
of low branches
made his heart pound.
Creepin’ through
the underbrush,
the slave catcher hot
on his trail, Samuel
felt a sudden chill,
like a cold hand
layin’ heavy on the back
of his neck that sent
a shiver down his spine.
Samuel glanced back
to see a pale glimmer,
chains draggin’ in the mud,
and hear, “Keep runnin’,”
from lips that never moved.
The slave catcher
saw her, too, and stumbled
in the muck, into the open
arms of the swamp;
the more he thrashed,
the further he sunk,
and had anyone been
watching, they might have
seen hands reachin’ up
from the twistin’ trees
dragging him below.
Come dawn, Samuel
was breathin’ free air,
and that slave catcher
stayed wrapped up tight
in the arms of the swamp
souls, a warning that people
who try to catch people,
get caught.
@Home Studio – 303rd poem of the year
This poem was a collaboration between ChatGPT and me. I thought I would share the process so you could see where I got the storyline for the poem:
My Prompt:
generate a short spooky story that is set in the 1800s in the American south in the gothic style of Edgar Allan Poe that involves a runaway slave getting to freedom and a bad slave catcher dying
ChatGPT Tale:
In the depths of a humid, oppressive night in Georgia, beneath a moon that cast pallid beams through the Spanish moss, a man named Samuel crept silently through the tangled underbrush. He had been running for days—barefoot and raw—but tonight was different. Tonight he felt a chill in the air, though the night was warm, a chill that gnawed at his bones and made the shadows press in.
The swamps around him whispered secrets in the rustle of leaves and groan of branches, but he could not stop; he dared not look back. His mind was set only on freedom, and yet, like a hound on his trail, the slave catcher, Jonas Crow, was not far behind, his lantern flickering like a fiery eye.
But something strange hung in the night air—an eerie hush broken only by the hoot of an owl. Samuel heard footsteps in the darkness, close but unseen. He glanced over his shoulder, feeling as though unseen eyes lingered in the shadows, watching, waiting. Then, he heard the soft patter of boots through the swamp, but it wasn’t Jonas this time. No, it sounded lighter, almost like a child’s footsteps.
Jonas trudged behind, muttering curses, a flask in one hand and his pistol in the other. He paused, lantern high, casting long, creeping shadows. He bellowed Samuel’s name into the night air, his voice echoing off the trees like a death knell. But Samuel did not answer; instead, he stumbled deeper into the swamp, driven by a force both fearful and fierce.
Suddenly, the shadows seemed to grow, twisting and writhing in the half-light. A cold wind swept through, and for the briefest moment, Samuel saw her—a woman’s ghostly figure, pale as alabaster, bound in chains that trailed in the mud behind her. Her eyes met his, and though her mouth did not move, he heard her whisper, “Keep running.”
Behind him, Jonas paused, catching the same spectral glow from the corner of his eye. He squinted, blinking rapidly. Then he shook his head, cursing Samuel as he pressed forward, the chains of the phantom now clanking ominously. But as he waded into the murky swamp, his foot snagged on something deep below the surface, and he stumbled, his lantern swinging wildly.
Panicked, Jonas yanked his leg free, only to find himself sinking deeper into the black mire. He screamed, but his voice was swallowed by the night as pale hands rose from the depths, grasping his legs, pulling him down inch by inch. The specter appeared once more, her face contorted in a sorrowful smile, as Jonas’s screams grew muffled, replaced by the sound of gurgling water and the murmur of voices rising from the grave.
When dawn broke, Samuel was miles away, safe and breathing the clean, open air. The swamp held its secrets, and somewhere, in the heart of that darkened land, Jonas Crow remained—a warning to all who would haunt those who sought freedom.
My Prompt:
can you rewrite the story with most of the same words, but add in some dialect as though being told by an old woman from the south?
ChatGPT Tale:
Well, now, let me tell ya somethin’ ’bout the ol’ swamps down in Georgia—’specially on them thick, steamy nights when the moon’s hangin’ heavy like a big ol’ eye watchin’ the land. That’s the kinda night it was, way back when a man named Samuel was runnin’ for his life, runnin’ for freedom with bare feet all tore up, and a mighty fear in his heart.
See, Samuel’d been runnin’ for days, and them days had been mean to him. But this night here? Oh, it was different, child. There was somethin’ wrong in the air, like a cold hand layin’ heavy on the back o’ his neck, even though the night was as warm as the devil’s breath. He kept pushin’ on, creepin’ through the underbrush, glancin’ over his shoulder now ‘n then, with that dark look in his eye. ‘Cause back there, somewhere, was that no-good slave catcher, Jonas Crow, stalkin’ him like a dog with a scent.
Well, as Samuel moved deeper into them swamps, he started to hear things—rustlin’ leaves, them low branches creakin’ like ol’ bones—and then, just as quiet as a whisper, footsteps. Only, these footsteps was strange, lighter than Jonas’s big ol’ boots, almost like a child runnin’ barefoot. But Samuel knew better than to turn ’round. His mind was set on gettin’ outta there, straight into freedom, but those footsteps… child, them footsteps made his heart pound.
Meanwhile, that no-good Jonas Crow was sloggin’ through the mud, cussin’ and yellin’ Samuel’s name to the trees, his lantern throwin’ long, crawlin’ shadows that stretched like they had minds o’ their own. Jonas was an ugly man, drinkin’ outta his flask and holdin’ his pistol like he owned the whole night. He didn’t know it, but the swamps had done took a likin’ to Samuel—an’ they was not gonna let Jonas have his way, not this time.
As Samuel crept through them woods, he thought he saw somethin’ strange: a white glimmer, like moonlight that’d took shape. There, just barely in sight, stood a woman, pale as a ghost, chains draggin’ in the mud. He looked at her, and though her lips never moved, child, he heard her clear as day: “Keep runnin’.”
Jonas, now, he saw somethin’ too. He paused, squintin’ at a flicker outta the corner of his eye, shakin’ his head like he’d seen the devil himself. And maybe he had, for all we know. But he just went on, slingin’ curses like stones, that lantern swingin’ wide, tossin’ those twisted shadows in every which way. Just as he took a step, he felt his foot catch on somethin’ hidden deep under the muck, and he went down hard, right into the swamp’s open arms.
Jonas tried to yank his leg free, but that swamp was hungry, and it had a mighty appetite for his kind. Before he knew it, he was sinkin’ lower, a pale hand reachin’ up from the black water to drag him down inch by inch. He screamed, oh, he surely did, but all his hollerin’ got swallowed by them thick, twistin’ trees. And there she was again, that pale woman, lookin’ down at him with a sorta sad, ghostly smile.
Come dawn, Samuel was far from that place, breathin’ the free air, just as the good Lord meant him to. As for Jonas Crow? Well, child, he stayed in them swamps, wrapped up tight in the arms o’ them souls who walked ‘fore him, a warnin’ to any other man who’d think to come hauntin’ after folks seekin’ freedom.
My Compliment:
Wow! Impressive!
Their Response:
Thank you so much! I’m thrilled you enjoyed it! Writing in that Southern Gothic style really brings the story to life, doesn’t it? Let me know if you want more tales like this—or anything else!
Cave of Fears
(Poem 292 for 2024 – I am writing a poem a day)

There is a cave
in the land of lost time
where forgotten dreams die.
If one ventures near
the mouth of the cave
a sense of apathy
and despair descends.
If someone musters
the courage to enter,
they’ll be greeted by a cold
chill and a sense
that someone is watching
from the darkest recesses.
Are those outlines of skulls
tucked along the edges
of the cave floor?
And what are the veins
of liquid seeping
from cracks in the walls?
The mind will see the worst
when fear begins to creep
deep into the suffering soul,
for no one is drawn
into the cave unless
they are overcome by pain.
Though time does not exist
inside the cavernous vault,
it can feel like decades
spent wandering through
corridors of damp labyrinthian
passageways and tunnels.
Each bend and fissure
holds new anticipation
of terror, certain death
by sinkhole, falling
into an abyss, never
to be found.
Cries of dread echo
from the underworld,
but nothing materializes.
In the eerie gloom,
hope is obscured,
a claustrophobic panic
envelopes the heart
of even the most intrepid.
And then one day,
after struggling through
a crawlway, the visitor
is faced with a sump.
The only way out is through,
but submerging the self
requires a strength of will
nearly impossible to imagine.
If the lost one dissolves
their doubt and dives,
they will emerge
into a glorious chamber,
a sanctuary of sparkling
stalactites and stalagmites,
and brilliant light
streaming in from an opening.
The confused explorer
begins the remembering
of the world they forgot
and climbs the limestone
ledges until surfacing,
stunned and blinking
at the blinding sky.
Unsure how or when,
they realize that all fear
dissipated somewhere
along the way, or perhaps
it was collected by the cave.
@Home Studio – 292nd poem of the year






