Tag Archives: death

Swamp Souls

Trigger Warning: Sensitive content concerning human trafficking and death.

(Poem 303 for 2024 – I am writing a poem a day)

“The Storyteller” AI Generated image I prompted on Gencraft.com https://gencraft.ai/p/r8MeBA

Back when people
owned people in Georgia,
Samuel ran.
Tore up bare feet
pounded the ground
that thick, steamy night
while the moon hung
heavy like a big ol’ eye
watchin’ the swamp.
The ol’ bone creak
of low branches
made his heart pound.
Creepin’ through
the underbrush,
the slave catcher hot
on his trail, Samuel
felt a sudden chill,
like a cold hand
layin’ heavy on the back
of his neck that sent
a shiver down his spine.
Samuel glanced back
to see a pale glimmer,
chains draggin’ in the mud,
and hear, “Keep runnin’,”
from lips that never moved.
The slave catcher
saw her, too, and stumbled
in the muck, into the open
arms of the swamp;
the more he thrashed,
the further he sunk,
and had anyone been
watching, they might have
seen hands reachin’ up
from the twistin’ trees
dragging him below.
Come dawn, Samuel
was breathin’ free air,
and that slave catcher
stayed wrapped up tight
in the arms of the swamp
souls, a warning that people
who try to catch people,
get caught.

@Home Studio – 303rd poem of the year

This poem was a collaboration between ChatGPT and me. I thought I would share the process so you could see where I got the storyline for the poem:

My Prompt:

generate a short spooky story that is set in the 1800s in the American south in the gothic style of Edgar Allan Poe that involves a runaway slave getting to freedom and a bad slave catcher dying

ChatGPT Tale:

In the depths of a humid, oppressive night in Georgia, beneath a moon that cast pallid beams through the Spanish moss, a man named Samuel crept silently through the tangled underbrush. He had been running for days—barefoot and raw—but tonight was different. Tonight he felt a chill in the air, though the night was warm, a chill that gnawed at his bones and made the shadows press in.

The swamps around him whispered secrets in the rustle of leaves and groan of branches, but he could not stop; he dared not look back. His mind was set only on freedom, and yet, like a hound on his trail, the slave catcher, Jonas Crow, was not far behind, his lantern flickering like a fiery eye.

But something strange hung in the night air—an eerie hush broken only by the hoot of an owl. Samuel heard footsteps in the darkness, close but unseen. He glanced over his shoulder, feeling as though unseen eyes lingered in the shadows, watching, waiting. Then, he heard the soft patter of boots through the swamp, but it wasn’t Jonas this time. No, it sounded lighter, almost like a child’s footsteps.

Jonas trudged behind, muttering curses, a flask in one hand and his pistol in the other. He paused, lantern high, casting long, creeping shadows. He bellowed Samuel’s name into the night air, his voice echoing off the trees like a death knell. But Samuel did not answer; instead, he stumbled deeper into the swamp, driven by a force both fearful and fierce.

Suddenly, the shadows seemed to grow, twisting and writhing in the half-light. A cold wind swept through, and for the briefest moment, Samuel saw her—a woman’s ghostly figure, pale as alabaster, bound in chains that trailed in the mud behind her. Her eyes met his, and though her mouth did not move, he heard her whisper, “Keep running.”

Behind him, Jonas paused, catching the same spectral glow from the corner of his eye. He squinted, blinking rapidly. Then he shook his head, cursing Samuel as he pressed forward, the chains of the phantom now clanking ominously. But as he waded into the murky swamp, his foot snagged on something deep below the surface, and he stumbled, his lantern swinging wildly.

Panicked, Jonas yanked his leg free, only to find himself sinking deeper into the black mire. He screamed, but his voice was swallowed by the night as pale hands rose from the depths, grasping his legs, pulling him down inch by inch. The specter appeared once more, her face contorted in a sorrowful smile, as Jonas’s screams grew muffled, replaced by the sound of gurgling water and the murmur of voices rising from the grave.

When dawn broke, Samuel was miles away, safe and breathing the clean, open air. The swamp held its secrets, and somewhere, in the heart of that darkened land, Jonas Crow remained—a warning to all who would haunt those who sought freedom.

My Prompt:

can you rewrite the story with most of the same words, but add in some dialect as though being told by an old woman from the south?

ChatGPT Tale:

Well, now, let me tell ya somethin’ ’bout the ol’ swamps down in Georgia—’specially on them thick, steamy nights when the moon’s hangin’ heavy like a big ol’ eye watchin’ the land. That’s the kinda night it was, way back when a man named Samuel was runnin’ for his life, runnin’ for freedom with bare feet all tore up, and a mighty fear in his heart.

See, Samuel’d been runnin’ for days, and them days had been mean to him. But this night here? Oh, it was different, child. There was somethin’ wrong in the air, like a cold hand layin’ heavy on the back o’ his neck, even though the night was as warm as the devil’s breath. He kept pushin’ on, creepin’ through the underbrush, glancin’ over his shoulder now ‘n then, with that dark look in his eye. ‘Cause back there, somewhere, was that no-good slave catcher, Jonas Crow, stalkin’ him like a dog with a scent.

Well, as Samuel moved deeper into them swamps, he started to hear things—rustlin’ leaves, them low branches creakin’ like ol’ bones—and then, just as quiet as a whisper, footsteps. Only, these footsteps was strange, lighter than Jonas’s big ol’ boots, almost like a child runnin’ barefoot. But Samuel knew better than to turn ’round. His mind was set on gettin’ outta there, straight into freedom, but those footsteps… child, them footsteps made his heart pound.

Meanwhile, that no-good Jonas Crow was sloggin’ through the mud, cussin’ and yellin’ Samuel’s name to the trees, his lantern throwin’ long, crawlin’ shadows that stretched like they had minds o’ their own. Jonas was an ugly man, drinkin’ outta his flask and holdin’ his pistol like he owned the whole night. He didn’t know it, but the swamps had done took a likin’ to Samuel—an’ they was not gonna let Jonas have his way, not this time.

As Samuel crept through them woods, he thought he saw somethin’ strange: a white glimmer, like moonlight that’d took shape. There, just barely in sight, stood a woman, pale as a ghost, chains draggin’ in the mud. He looked at her, and though her lips never moved, child, he heard her clear as day: “Keep runnin’.”

Jonas, now, he saw somethin’ too. He paused, squintin’ at a flicker outta the corner of his eye, shakin’ his head like he’d seen the devil himself. And maybe he had, for all we know. But he just went on, slingin’ curses like stones, that lantern swingin’ wide, tossin’ those twisted shadows in every which way. Just as he took a step, he felt his foot catch on somethin’ hidden deep under the muck, and he went down hard, right into the swamp’s open arms.

Jonas tried to yank his leg free, but that swamp was hungry, and it had a mighty appetite for his kind. Before he knew it, he was sinkin’ lower, a pale hand reachin’ up from the black water to drag him down inch by inch. He screamed, oh, he surely did, but all his hollerin’ got swallowed by them thick, twistin’ trees. And there she was again, that pale woman, lookin’ down at him with a sorta sad, ghostly smile.

Come dawn, Samuel was far from that place, breathin’ the free air, just as the good Lord meant him to. As for Jonas Crow? Well, child, he stayed in them swamps, wrapped up tight in the arms o’ them souls who walked ‘fore him, a warnin’ to any other man who’d think to come hauntin’ after folks seekin’ freedom.

My Compliment:

Wow! Impressive!

Their Response:

Thank you so much! I’m thrilled you enjoyed it! Writing in that Southern Gothic style really brings the story to life, doesn’t it? Let me know if you want more tales like this—or anything else!

Eulogy for Aiko

(Poem 302 for 2024 – I am writing a poem a day)

Our sweet girl fell asleep
for the last time yesterday.
She was our timekeeper,
door alarm, friend, snack
stealer, companion, guard
who would play with any
trespasser, reluctant auntie
to many small animals
including kittens, a puppy,
hamsters, and a possum,
our deer chaser, pond
swimmer, pack leader,
bossy lady, fluffy fluffer,
treat eater, snow lover,
couch layer, baby protector,
Charlotte’s sister, smart girly,
whose faithful, consistent,
steady, sincere, gentle, easy-
going, curious, loyal, loving
nature made our family
a stronger pack and we
will be forever grateful
for the love she gave
so generously every day.

Aiko is survived by Kenji, Chika, Cotton Eyed Joe, and Kylo from her fur pack and was especially close to Charlotte and Julian, who were honorary members of her pack because they were children during her lifetime. Charlotte and Aiko were born the same year and grew up together.

@Home Studio – 302nd poem of the year

More Aiko Pics:

Haunted House

(Poem 295 for 2024 – I am writing a poem a day)

AI Generated image I prompted on Gencraft.com https://gencraft.ai/p/eoKAqu

There once was a house
with a fence in the woods
where the children never dared to go.

They believed in a tale
full of spooky old ghosts
and wolves whose eyes would glow.

One Halloween Eve
in a game of Truth or Dare
some children ended up at the gate.

They were laughing so loud
that they did not even see
the ghost who would decide their fate.

She watched them push
one terrified little boy
to enter the yard and ring the bell.

The poor boy cried
as he walked to the porch
each step like a hollow death knell.

The ghost howled
which alerted the wolves
eager for a scrumptious evening meal.

The boy who was forced
to touch the haunted house
was the only child who survived the ordeal.

@Home Studio – 295th poem of the year

September 11th

***Trigger Warning/Content Warning – graphic violence, suicide, death, dying, world tragedies

(Poem 256 for 2024 – I am writing a poem a day)

I was exercising on an
elliptical machine at the
local YMCA and watching
the television off and on.
Some new movie was
advertising, that I would
never see, where buildings
blow up and planes crash
and there is not enough
dialogue to satisfy me.
The longer the images
flashed on the screen,
the more real the footage
took shape as something
awful, a thing less from
Hollywood, and more
from a living nightmare.
New York, Twin Towers,
a second plane, a third
plane hit the Pentagon,
a fourth plane was headed
for the capital but went down
in a field in Pennsylvania.
The world was coming
apart at the seams, and I
had to get home to my
children to hold them.
When what looked like
debris, but turned out to
be people, began falling
from the windows, my
beliefs forever changed.
To hear people judge and
decry the actions of so
many facing certain death,
my heart leapt with those
who grasped what little
personal choice they had
left in their final moments,
and I wept as one by one,
some holding hands together,
they made the plunge to
the beyond like rockets
shooting to space in reverse.

Several images are seared into my brain. One is the image of the Falling Man, taken by Associated Press photographer Richard Drew, which looks as though the man has thrown himself as a spear at the earth, defiantly facing death on his own terms. “The picture went all around the world, and then disappeared, as if we willed it away. One of the most famous photographs in human history became an unmarked grave, and the man buried inside its frame—the Falling Man—became the Unknown Soldier in a war whose end we have not yet seen.” – by Tom Junod

@Home Studio – 256th poem of the year

Junod, Tom, “The Falling Man – An unforgettable story.” Esquire, 9 Sep. 2021, http://www.esquire.com/news-politics/a48031/the-falling-man-tom-junod/

Losing Beauty

(Poem 248 for 2024 – I am writing a poem a day)

Beauty & Aiko in all their regal gorgeousness. They know they rule the kingdom.

To be without Beauty
feels plain and bare,
lacking in something.
A presence at once
regal and understated
has gone missing, and
in its place is an ache,
a pang, maybe a twinge
of listless longing for
some undefined touch
of elegance that is both
gracious and aloof,
familiar and unknowable.

@Home Studio – 248th poem of the year

Runner ups for the Losing Beauty photos to accompany my poem:

1. Beauty & Kage on guard duty.
2. Chika, Beauty, & Cotton Eyed Joe snuggling.
3. Beauty & Chika sharing my chair.
4. Beauty holding hands with Kenji.
5. The last picture I ever took of Beauty—Beauty & Aiko holding hands. 

Making the Call

(Poem 247 for 2024 – I am writing a poem a day)

AI Generated image I prompted on Gencraft.com https://gencraft.ai/p/l27VBQ

Making the call to end a life
weighs heavily on the spirit,
even if the conclusion is an
act of mercy for the beloved
by relieving pain and suffering.
Only those who have spent
years with another in close
proximity, shared their lives
intimately, and were tasked
with taking the initiative to
usher in the end know the
reluctance with which the
decision is made and how
heavy the heart to speak the
truth that life has become a
burden rather than a blessing.

@Home Studio – 247th poem of the year

Runner ups for the Making the Call photos to accompany my poem:

COVID’s curse

(Poem 246 for 2024 – I am writing a poem a day)

AI Generated image I prompted on Gencraft.com https://gencraft.ai/p/zxz2Lt

COVID’s curse is that it lingers,
hangs menacingly in the air, and
recapitulates its previous threats
with symptomatic diminishment.
Not as serious, less deadly, return
to work after only five days now,
means everyone shares the virus
and those concerned are viewed
as disproportionately cautious.
Do they remember the terror so
recently fresh to those whose
cats lost their owners and children
lost their grandmothers and we
lamented the death counts daily?
This time when my husband got
sick and I could not touch him
for a week, I still checked to make
sure he was breathing and sheltered
in place and social distanced,
though no one uses that language
these days anymore…so 2020 of me.
Perhaps it is the lack of the sense
of smell that was stolen from me
or the worsened sense of vision
that was purloined or the lessened
oxygenation ability that was pilfered
or possibly the energy I once had
to function all day that was looted
after my fourth run-in with the
offender who is nothing more than
an unwelcome, tiresome loiterer.

@Home Studio – 246th poem of the year

Runner ups for the COVID photos to accompany my poem:

Harry Potter 8

(Poem 245 for 2024 – I am writing a poem a day)

When Harry dropped the resurrection
stone in the forest after conferring with
his lost loved ones, the imagery was
reminiscent of the Garden of Gethsemane
and the agonizing acceptance of death
as the only way to life for all of humanity.
To have the power to save yourself and
choose submission to pain and fear of
the unknown is a most noble sacrifice.

@Home Studio – 245th poem of the year (After watching it at home while Lydia & Charlotte watched it at Cinemark on 9/1/24 for Back to Hogwarts Week)

Yates, David. Harry Potter and the Deathly Hallows-Part 2. Daniel Radcliffe, Emma Watson, Rupert Grint, Warner Bros., 2011.

Brotherly Love – House of the Dragon

(Poem 183 for 2024 – I am writing a poem a day)

The sacrificial lamb
for one man’s guilt
results in the death of
one soul split in two.

One name in twain,
bifurcated broken hearts
bent on split loyalties
divided by ideologies.

A dancing duet of
swords and pain,
a dyad in tandem
with lives of service.

This brotherly love
can only end in grief,
for the end of one
means the end of both.

@Home Studio – 183rd poem of the year (Spoiler Alert: after watching House of the Dragon Season 2 Episode 2; Erryk and Arryk.)

Condal, Ryan and George R. R. Martin, creators. House of the Dragon. HBO Entertainment and Warner Bros., 2024.

Runner ups for the Brotherly Love photos to accompany my poem:

Grieving Mother – House of the Dragon

(Poem 180 for 2024 – I am writing a poem a day)

AI Generated image I prompted on Gencraft.com https://gencraft.ai/p/3PTiet  https://gencraft.ai/p/rcoJcL

The mother does what
any mother must do after
receiving the worst news
imaginable; she mounts
her dragon and flies as far
as she must for confirmation
with her own eyes that her
son has been taken from
this world in a vicious attack.
She must reckon with the
knowledge that all could
have been prevented by
her every step of the way,
so she has herself to blame
for her baby ending up in the
belly of the enemy’s beast.
A son for a son will become
the battle cry that brings
only blood to the realm.
Winter is truly coming.

@Home Studio – 180th poem of the year (after watching Season 2, Episode 1 of House of the Dragon)

Condal, Ryan and George R. R. Martin, creators. House of the Dragon. HBO Entertainment and Warner Bros., 2024.

Runner ups for the Grieving Mother photos to accompany my poem: