TRIGGER WARNING: This book addresses difficult topics including mental illness, suicide, abuse, violence, and trauma. Some scenes and references may be distressing for certain readers.

Gail Honeyman is a master of dry wit and understatement in Eleanor Oliphant is completely fine. Eleanor is so unpleasant and awkward as to render her completely unlikeable at the beginning of the novel. I don’t want to see her bullied by her coworkers or strangers in public, but I could certainly see why they might. She invites side-glances with her oblivious rudeness and is a closed book. She doesn’t want anything to do with anybody and seems perfectly content in her isolation. Of course, it’s all a ruse and protective defenses, but those walls are tall and seem impenetrable.

The chance encounters, unusual incidents, and course of events that occur begin to bring about a soft opening of Eleanor. And the unfolding of her past, the development of some friendships, and her observations and realizations throughout the process are so endearing that I couldn’t help falling in love with her. She and her circle of people are everything that is wonderful about humanity, especially when coping with everything that is horrible with humanity.

Once again, I was disappointed by the rushed feel of the ending. I hoped for the same level of deep introspection at the end of the book that was delved into throughout the rest. What is with these authors rushing their endings? They need to be every bit as perfect as the beginnings and middles. But other than wanting more, I can find no fault with this witty, honest, hilarious look at a lovely woman who is absolutely NOT completely fine, but who will be. The author’s voice is refreshing, hilarious, and wonderful.

Honeyman, Gail, Eleanor Oliphant is completely fine, Penguin Random House, 2017.